Seeking advice, tips, Techniques and tricks
Motor, ya gotta quit putting the APS sensor glass on the FF camera, the vignetting is too much.
Seriously though, I think the limit was back there on the edge darkening technique. Was the car parked on the Freeway or in motion? Is it just me, or do those wheels look like the new S-Heavies on the R56?
I won't post any photos I've taken while driving since they all suck.
Jim does a good job by using wide angle glass (12-24mm), manual pre-focus and Shutter priority mode. YMMV.
Seriously though, I think the limit was back there on the edge darkening technique. Was the car parked on the Freeway or in motion? Is it just me, or do those wheels look like the new S-Heavies on the R56?I won't post any photos I've taken while driving since they all suck.
Jim does a good job by using wide angle glass (12-24mm), manual pre-focus and Shutter priority mode. YMMV.
But we haven't had any decent clouds and the pale flat blue on all my picswas starting to make me *insert puke smiley here*
Been putting a lot of thought into mount/rigs so I can hopefully start to pull off smooth rolling shots but between stiff suspensions and have a max of 10ft before pothole buckle dive or other pavement obstruction I'mnotbeing particularly optimistic. I also desperatly need to find a sensor cleanig shop becausethedustis unbearable @ wide open f/4 and f/3.5 and I'd really like to use some smaller aperatures (let the wheels actually move) thatI haven't been for over two years now.
Been putting a lot of thought into mount/rigs so I can hopefully start to pull off smooth rolling shots but between stiff suspensions and have a max of 10ft before pothole buckle dive or other pavement obstruction I'mnotbeing particularly optimistic. I also desperatly need to find a sensor cleanig shop becausethedustis unbearable @ wide open f/4 and f/3.5 and I'd really like to use some smaller aperatures (let the wheels actually move) thatI haven't been for over two years now.
Been putting a lot of thought into mount/rigs so I can hopefully start to pull off smooth rolling shots but between stiff suspensions and have a max of 10ft before pothole buckle dive or other pavement obstruction I'mnotbeing particularly optimistic. I also desperatly need to find a sensor cleanig shop becausethedustis unbearable @ wide open f/4 and f/3.5 and I'd really like to use some smaller aperatures (let the wheels actually move) thatI haven't been for over two years now.
I had a great chat last Saturday with Dave Bunting about rigging. I think you're going to have to find a smooth road somewhere and push the car to get the smooth photo you're after. Note the lack of the driver in this motion photo.
I've always heard such wonderful things about the quality roads in the Chicago area, much like the Boston area in fact.
Maybe see if you can find a road that's been recently paved before the cold white stuff arrives again?Jim tried this sensor cleaner and recommends it. I've been meaning to get over to Calumet to pick one up myself. The price is right.
http://www.photosol.com is the brand of my cleaning kit, they make one specific to most major cameras.
Good luck!
hadn't visited this thread in a while, lots of good (new) info. I need to work a bit on my black & white conversion still, but I recently came up with this B&W & color conversion of one of my older AMVIV4 pics... please view at full size...
Motor On, that's an outstanding flower photo.
Color me very impressed.
Now is your chance for pay back since I don't contribute here enough (you don't want to see my baby's pictures now do you
) and I'm often too critical of your photo experiments.
I'd be interested in anyone else's thoughts too, so don't be shy. I've remixed one of the rejects from the Sept. photo contest and went a bit overboard in photochomp, especially with curves & hue/sat.
Here's my second installment of Psychedelic Art or Pure Cr@p?
(click on the image below for a VERY large version at ~600KB in size)

Found a really good quote from the Photoshop guru Scott Kelby this week in his blog... "I’d rather save my time in Photoshop for the 'fun stuff'. For finishing my files, not fixing them. In other words; life’s too short to spend your time removing telephone wires."
Now is your chance for pay back since I don't contribute here enough (you don't want to see my baby's pictures now do you
) and I'm often too critical of your photo experiments.
I'd be interested in anyone else's thoughts too, so don't be shy. I've remixed one of the rejects from the Sept. photo contest and went a bit overboard in photochomp, especially with curves & hue/sat.
Here's my second installment of Psychedelic Art or Pure Cr@p?
(click on the image below for a VERY large version at ~600KB in size)

Found a really good quote from the Photoshop guru Scott Kelby this week in his blog... "I’d rather save my time in Photoshop for the 'fun stuff'. For finishing my files, not fixing them. In other words; life’s too short to spend your time removing telephone wires."
Motor On, that's an outstanding flower photo.
Color me very impressed.
Now is your chance for pay back since I don't contribute here enough (you don't want to see my baby's pictures now do you
) and I'm often too critical of your photo experiments.
I'd be interested in anyone else's thoughts too, so don't be shy. I've remixed one of the rejects from the Sept. photo contest and went a bit overboard in photochomp, especially with curves & hue/sat.
Here's my second installment of Psychedelic Art or Pure Cr@p?
(click on the image below for a VERY large version at ~600KB in size)

Found a really good quote from the Photoshop guru Scott Kelby this week in his blog... "I’d rather save my time in Photoshop for the 'fun stuff'. For finishing my files, not fixing them. In other words; life’s too short to spend your time removing telephone wires."
Now is your chance for pay back since I don't contribute here enough (you don't want to see my baby's pictures now do you
) and I'm often too critical of your photo experiments.
I'd be interested in anyone else's thoughts too, so don't be shy. I've remixed one of the rejects from the Sept. photo contest and went a bit overboard in photochomp, especially with curves & hue/sat.
Here's my second installment of Psychedelic Art or Pure Cr@p?
(click on the image below for a VERY large version at ~600KB in size)

Found a really good quote from the Photoshop guru Scott Kelby this week in his blog... "I’d rather save my time in Photoshop for the 'fun stuff'. For finishing my files, not fixing them. In other words; life’s too short to spend your time removing telephone wires."

For the users of Lightroom...
There is an interesting technique tutorial posted at this link that show a creative technique that can be applied directly in Adobe Lightroom. Had to give it a whirl and tried it on of Kurt's photos that I had handy. Certainly a different look for Swifty and it removes the sunset too.
I'm still not sure if I like the artistic effect as it looks similar to cr@ppy HDR photos, but those photos are en vogue these days.
I'm still not sure if I like the artistic effect as it looks similar to cr@ppy HDR photos, but those photos are en vogue these days.
(I go there because mucking around with the low-pass filter gives me the *******.)
If you're shooting Nikon, the authorized service shop is in Morton Grove. You can stop by and for $40-ish, they'll do a checkup of your camera and clean your sensor in about a half-hour. Whether that's worth the price is your choice to make.
(I go there because mucking around with the low-pass filter gives me the *******.)
(I go there because mucking around with the low-pass filter gives me the *******.)
No.
I shoot Canon
(Way to be subtle I know)Gave Dust-Aid a got and it got the lighter newer stuff. I also picked up a product called Visible Dust that I'm hoping will help Get some of the more serious stuff, after that it's either liquid swabs or replacing the low pass filter which may very radpidly approach the point of it being cost worthy to replace/up grade (also have an out of round lens mount a few burnt out sensoe pixels and a few going on the LCD)
Lesson learned clean the dust off at the first sight of it!
Last edited by Motor On; Oct 8, 2007 at 07:20 PM.
cleaning your sensor is easier than you might think. try micro-tools.com (i think thats the website), order some Eclipse fluid, and depending on your camera order the 14mm sensor wand (14mm for 1.5-1.6x crop bodies, 18mm if you have a Full Frame camera), some PEC PADS and do it yourself. the sensor is very durable. you dont have to push too hard to clean it up.
cleaning your sensor is easier than you might think. try micro-tools.com (i think thats the website), order some Eclipse fluid, and depending on your camera order the 14mm sensor wand (14mm for 1.5-1.6x crop bodies, 18mm if you have a Full Frame camera), some PEC PADS and do it yourself. the sensor is very durable. you dont have to push too hard to clean it up.
With the cost of cleaning (if the Visible dust fails) approaching $200 and given the other body issues with the camera it's looking fiscally more responsible (given the realative out of date, limits I pushonthe 10D, cost of cleaning, cost of repairs and potenital damage to my lenses currently being caused) to start looking seriously at the 40D; but thats also an extremely price justification.
My issue is I have what seems to be called "welded on" dust that has been there for over a year. The tasks to clean it I agree are relatively simple and I have crossed thatworking on the sensor barrier after sorting through much myth, unfortunately it just seems like I might be a little too late.
With the cost of cleaning (if the Visible dust fails) approaching $200 and given the other body issues with the camera it's looking fiscally more responsible (given the realative out of date, limits I pushonthe 10D, cost of cleaning, cost of repairs and potenital damage to my lenses currently being caused) to start looking seriously at the 40D; but thats also an extremely price justification.
With the cost of cleaning (if the Visible dust fails) approaching $200 and given the other body issues with the camera it's looking fiscally more responsible (given the realative out of date, limits I pushonthe 10D, cost of cleaning, cost of repairs and potenital damage to my lenses currently being caused) to start looking seriously at the 40D; but thats also an extremely price justification.
Classic is what it means, class. Some HDR pictures look way too fake.That rendition is interesting, if one didn't see the original.

More of a spotting while I was sitting in traffic and pointing the 70-200in the general direction. But learning Picasa2 since it's all I've got to edit right now.
For those interested, click the image below to see just how bad the sensor is at f/32. This is AFTER several cleanings with two different methods.
Motor, you also used a wet cleaning method too, right? Boy, I do not want to test my cameras as I'm scared mine will look even worse if this is what yours looks like after cleaning.





