Welcome to North American Motoring, the North American MINI Community of owners and enthusiasts!
You are currently viewing our boards as a guest which gives you limited access to view most discussions, articles and photo galleries. By joining our free community you will have access to post topics, communicate privately with other MINI enthusiasts (PM), respond to polls, upload your own photo gallery and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!
If you have any problems with the registration process or your account login, please contact our support team.
You are currently viewing our forum as a guest, which gives you limited access to view most discussions and access our other features. By joining our community, at no cost, you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is free, fast and simple, so please join our community today!
High performance digital SLR cameras are performing well as users shift from film-based SLR cameras or upgrade from compact digital cameras to digital SLR cameras.
As a result of the new strategy Nikon will discontinue production of all lenses for large format cameras and enlarging lenses with sales of these products ceasing as soon as they run out of stock. This also applies to most of our film camera bodies, interchangeable manual focus lenses and related accessories.
In recognition of Nikon’s commitment to professional photographers we will continue to manufacturer and sell the F6, our flagship film model, as well as a number of manual interchangeable lenses.
So the F6 stays, but apparently, nothing else film based.
Reading between the lines, I would also take the statement that they are going to discontinue production of all lenses for "large format cameras" to mean Nikon has no intentions of going full frame digital.
Reading between the lines, I would also take the statement that they are going to discontinue production of all lenses for "large format cameras" to mean Nikon has no intentions of going full frame digital.
Not so sure. I take "large format cameras" to be the traditional meaning of cameras with film sizes larger than medium format. Nikon does make lenses for large format cameras (4x5 and bigger), though that's little-known and must be a very small part of their business. See for instance http://www.europe-nikon.com/category.aspx?countryid=20&languageid=22&catId=149
It would be a shame, though, if they dropped the F100 and FM3A bodies. The FM3A's only been around for a few years, I think, and is a very nice camera.
i've asked just about every photographer that i've worked with for the past 5 years... why would anyone stick with film? i'm saying film is bad, but in the commercial world, digital makes much more sense. however, is there other purposes (ie artistic) that will make film hang on?
i'm just an art director not a photographer so, please, don't take my comment as negative towards film... i'm just trying to understand.
__________________ mike roberts co-founder stlmini | formerly president, currently apathetic blue d3mon:78 austin mini | iris:05 MCc | cash:07 MCS JCW
. . . why would anyone stick with film? i'm saying film is bad, but in the commercial world, digital makes much more sense.
For me, it's a matter of choice.
I still get a thrill from going to pick up my processed film and seeing how the prints turn out. That excitement over passing around a sheet of photo paper with a recorded moment still sparks a flame for me.
I enjoy film's nuances, from using a high color saturation product like Fuji Velvia to the gray tones of Kodak's Plus-X. True, all those can be digitally replicated with image editing software, but it doesn't quite have the same affect for me as that first moment when you open that envelope of photographic delights (or blunders).
I still get a thrill from going to pick up my processed film and seeing how the prints turn out. That excitement over passing around a sheet of photo paper with a recorded moment still sparks a flame for me.
I enjoy film's nuances, from using a high color saturation product like Fuji Velvia to the gray tones of Kodak's Plus-X. True, all those can be digitally replicated with image editing software, but it doesn't quite have the same affect for me as that first moment when you open that envelope of photographic delights (or blunders).
That said . . . I want a D2X!
Some of the doc work I do I shoot on film in my M6. There's a certain pacing to it that's different from digital. I enjoy it.
Also, I used to think it was hype, but there really is something magic about Leica glass. The negatives. . . they glow on the light table.
But for just about everything else, digital gives you a turnaround and convenience that film can't rival. I now hate the drudgery of scanning my negs. In variably there's more clean up than you want to do.
For example, I will happily never travel oversees with film again. No sighing security guards arguing with you about sending your film through the xray, etc.
OT: Curious to see how this works out for Nikon, but I'm glad I'm a Canon guy.
i totally agree that the tactile experience of photography is 100% gone when you shoot digital. i don't miss waiting 90 seconds for a polaroid to process while on location or in a studio but, from a consumer standpoint, i do miss passing around and reminicing over the volumes of photo books that my parents have.
__________________ mike roberts co-founder stlmini | formerly president, currently apathetic blue d3mon:78 austin mini | iris:05 MCc | cash:07 MCS JCW
I now hate the drudgery of scanning my negs. In variably there's more clean up than you want to do.
I usually have my negatives scanned at time of processing (a bit more expensive) so it's the best of both worlds, prints and digital images one can edit.
I can take my dad's almost 50 year old Leica out and take great looking pictures with it. I doubt there will be many 50 year old digital camera that will still work, have memory cards available for them, etc, etc.
Without digital, I never would have gotten into photography. But, I'd rather shoot film... mostly just to be different.
I'm betting that that Nikon press release is being mis-interpereted somehow. But I could be wrong. Notice it's from Nikon UK. Not Nikon NA (North America), or more importantly Nikon Japan.
My other half is a Professional Photographer. He shoots all Digital for work, but loves to still use film for his own personal use at times. Looks like we might just hang on to ALL THOSE Nikon film cameras - they might just be Antiques and worth something some day...
Donna
__________________ Founding Members - DC METRO MINIs
02' CR/W MCS (gone to MINI heaven - burned up)
08' LB MCS Clubman - Mike's Daily Driver - Merlin
67' Morris Minor Traveller - Donna's Daily Driver - Roxy
Still using film here (usually 35 mm, some 645 medium format),
but no longer use my darkroom. Now I get 5x7 prints
(cost 30 - 40 cents per print with excellent results where I go)
and scan and photoshop and reprint them larger when desired,
and If I'm serious about a picture, I'll scan the negative instead.
Emulsion still holds a ton of data, and the information on the
negatives I have from the last few decades would fill many large
hard drives. I also feel the small sensor size on digital cameras
limits resolution (the optics can get only so many lines/mm resolution
and it goes onto a smaller area) compared to full frame 35mm or med format.
Of course, I do agree there are other advantages to digital cameras.